In the 1840s, a new painting by Jean Francois Millet was unveiled in Paris.
19世纪40年代，米勒的一幅新作在巴黎展出。
But, horror of horrors, no one seemed to like it!
但可怕的是，似乎没人喜欢这幅作品！
Some critics thought the images were too violent; others thought the paint was applied too thickly.
一些评论家认为画面太暴力了；其他人则认为颜料涂得过于厚重。
After that, the painting simply disappeared, and everyone assumed Millet had destroyed it.
从那以后，这幅画就消失了，外界都猜测米勒销毁了这幅作品。
Now fast forward to 1983. Using X-ray technology, art restorers were examining another Millet painting, a portrait called The Young Shepherdess.
现在，让我们快进到1983年。艺术修缮家正利用X射线技术检测米勒的另一幅作品——“牧羊女”肖像画。
The X-ray film revealed a ghostly outline of a second painting completely concealed by the portrait.
X射线胶片上出现了另一幅画作的轮廓，它完全隐藏在肖像画中。
And–you guessed it–this hidden painting was the very one that had sparked such controversy 150 years before.
可能你已经猜到了，这幅隐藏的画就是150年前颇具争议的那幅作品。
X-ray technology not only can help art historians find long lost paintings, but also see fascinating revisions painters have made.
X射线技术不仅可以帮助艺术历史学家寻找遗失已久的画作，还可以重现艺术家所做的绝妙修改。
译文为秀哈英语翻译，未经授权请勿转载!
