We were both silent then. I watched the headlights twist with the curves of the road. They moved too fast; it didn't look real, it looked like a video game. I was aware of the time slipping away so quickly, like the black road beneath us, and I was hideously afraid that I would never have another chance to be with him like this again — openly, the walls between us gone for once. His words hinted at an end, and I recoiled from the idea. I couldn't waste one minute I had with him.
然后，我们都沉默了。我看见前灯的光线在路面拐弯的地方扭曲着。它们移动得这样快，看上去一点也不真实，像是某个电视游戏。我意识到，时间过得这么快，就像车下漆黑的路面一样，我心头涌起一股可怕的恐惧感，生怕自己再也没有机会像这样和他在一起了——彼此开诚布公，我们之间的墙消失了，但仅此一次。他的话暗示着一切都结束了，一想到这个念头，我就畏缩起来。我不能再浪费我和他在一起的任何一分钟了。
"Tell me more," I asked desperately, not caring what he said, just so I could hear his voice again.
“告诉我更多的事。”我不顾一切地问道，根本不在乎他说什么，只想再一次听到他的声音。
He looked at me quickly, startled by the change in my tone. "What more do you want to know?"
他飞快地看着我，为我语气的转变而震惊着：“你想要知道更多什么的？”
"Tell me why you hunt animals instead of people," I suggested, my voice still tinged with desperation. I realized my eyes were wet, and I fought against the grief that was trying to overpower me.
“告诉我你为什么猎食动物而非人类。”我建议道，声音里依然带着绝望的气息。我意识到自己的眼睛已经潮湿了，我反抗着那阵试图压制我的悲痛。
"I don't want to be a monster." His voice was very low.
“我不想成为一个怪物。”他的声音很低。
"But animals aren't enough?"
“但动物并不能让你满足？”
He paused. "I can't be sure, of course, but I'd compare it to living on tofu and soy milk; we call ourselves vegetarians, our little inside joke. It doesn't completely satiate the hunger — or rather thirst. But it keens us strong enough to resist. Most of the time." His tone turned ominous.
他顿了顿：“当然，我不能肯定。但我可以把它比作靠豆-腐和豆-奶过活。我们称自己为素-食-者，这是我们私底下的小玩笑。这并不能完全满足饥饿——或者说，口渴。大多数时候是这样。”他的语气有所保留。
《暮光之城》与图书题目相得益彰的是，“暮光之城”系列别具匠心的封面设计则很好地传达出了每本书内在的深远寓意。斯蒂芬妮·梅尔指出《暮色》封面上的苹果代表“创世纪” 内善恶树上的禁果。象征贝拉和爱德华之间人类与吸血鬼禁忌的爱恋。在书的开头引用了“创世纪”217页的内容：“只是分别善恶树上的果子，你不可吃，因为你吃的日子必定死。”这同时也代表了贝拉如何分辨善恶——选择是否吃下那颗禁忌的果实，这比喻了选择跟爱德华在一起或远离他。
